Southern Muster is an exhibition and symposium which considers contemporary South Island craft/object art and surveys a range of ideologies and processes, identifying artists recognised for the quality of ...
Helen Becconsall’s paintings have consistently moved between a figuration and abstraction that has equally been realised through an instinctive and rational approach to the construction of images. Over-riding this ...
In images that move constantly between an effortless and uneasy tension from abstraction to representation, Jamie Peters’ art recognises the ambiguities of formalist painting. Signs and symbols that seek to ...
Edwards + Johann: have work together in interdisciplinary practice since 2007, exploring play and process. Highlights of their practices, individual and collective, include Victoria’s doctoral work in 2006 NightWatch...moving ...
Following his exhibition at COCA in 2008 Sam Harrison, in this body of new work, continues his commitment to the multi-faceted potential of human form in two and three dimensions ...
In this new body of work Earl Tutty explores the idea of entrapment. He states: ‘The captive bird acts as metaphor, observer and messenger for relationships, both domestic and for ...