WestFarbe

CoCA is delighted to present WestFarbe, curated by Christoph Dahlhausen in our Mair and North Galleries.

The German language engages the term Farbe for both the phenomena of colour and for the material of paint. In contrast, the English language differentiates between colour and paint. In Western Europe, in contrast to Asian culture, the 1970’s and 80’s saw the development of a direction in painting where artists oriented their practice around an analytical, even results-driven relationship to the conditions of painting, the process of painting, and the materiality of painting substances. In part it is a consequence of the significant influence of Hegelian thinking on Western – in particular European – philosophy of art, as well as the impact of Newton’s establishment of the logic of cause and effect, where action can be planned and reasoned in relation to the desired result.

This result-focused unidirectional logic also influenced painting. Materials and processes became thematised as major parameters of artistic action. Often the results weren’t decisive, and could have been arrived at in various ways, but instead systematic frames formed the action prospectively. This exhibition explores such artistic investigations, bringing together approaches where the material and process-oriented aspects of working are emphasised, with others where the tonality and the appearance of painting are foregrounded. The exhibition places into dialogue various practices that concern themselves with aspects of ‘Farbe’ in a fundamental, non-narrative manner. Such cross-referencing and differing legibilities enable an extension and renewal of the just-seen. Approaches of a theoretically oriented ‘radical’ painting are presented, as well as those interested in a more sensual experiencing of the painted work.

 

WestFarbe combines investigations that were already active in the 1970’s and 1980’s (eg. Hafif, Innes) with relatively recent projects (eg. Cosgrave, Piasta, Reifenberger). Artists from five nations are represented to show that these developments were not exclusive to Germany and the United States, but that an engagement with these questions, are of vital current concern across a range of western-oriented countries.

 

During its ongoing travel through different venues and institutions the list of artists participating in WestFarbe varied so that the concept of the exhibition could develop into a platform of discussion where the conversation could also be shaped by the contributions from museum or private collections. WestFarbe I, II and III were shown in Germany. WestFarbe IV (Two Rooms Gallery, Auckland) and WestFarbe V (CoCA) bring a stronger focus on New Zealand painters. For the New Zealand iterations new artists joined: Helen Calder, Renee Cosgrove, Leigh Martin, Judy Darragh and Andre Hemer, as well as Christine Reifenberger (GER) and Winston Roeth (US).

 

Among artists and art historians there have been serious discussions, as to when a painting becomes an object or is sculpture. The transition between these viewpoints can be very stimulating and expanding. Juxtapositions are a very important aspect in this curated exhibition. Dialogues between works make the combination of these different artistic positions so vibrant and the viewers experience in this exhibition a special adventure.

 

Our cordial thanks go to the lenders who have contributed artwork for the exhibitions in New Zealand, namely: The Art Lover Collection, Christchurch; Christchurch Art Gallery Te Puna o Waiwhetu; Two Rooms Gallery, Auckland, Quita & Graeme McNally, Christchurch; Jonathan Smart Gallery, Christchurch and Fox Jensen McCrory Gallery, Auckland.

 

The Artists

  • André Hemer
    André Hemer
    Vienna, Austria

    André Hemer is a New Zealand born, Vienna based painter. He holds a Master of Fine Arts from the University of Canterbury and PhD in Fine Arts at the University of Sydney. He coined the term 'new representation' to capture what his painting is doing with its integration of the digital with dynamic and sensuous and layering of spray paint, oil and acrylic with thick impasto.

     

    Hemer is represented by galleries in London, Berlin, New York, Los Angeles, Singapore, Sydney, Auckland and Wellington. 

     

    Web site
  • Callum Innes
    Callum Innes
    Edinburgh, Scotland

    Callum Innes (b. 1962) studied at Gray's School of Art, Aberdeen and Edinburgh College of Art. Innes was short-listed for the Turner and Jerwood Prizes in 1995, won the prestigious NatWest Prize for Painting in 1998, and in 2002 was awarded the Jerwood Prize for Painting. He has exhibited internationally and his work is held in public collections worldwide including the Guggenheim, New York; National Gallery of Australia; TATE, London, and Scottish National Gallery of Modern Art. From Memory, a major exhibition of Callum Innes' work over the past 15 years, was shown at The Fruitmarket Gallery, Edinburgh in 2006 and toured Modern Art Oxford, and the Museum of Contemporary Art, Sydney.

    Web site
  • Christine Reifenberger
    Christine Reifenberger
    Cologne, Germany

    Born in 1964 in Waldsassen, she lives and works in Cologne, Germany. Christine Reifenberger’s painting causes forms, contours and figurative lines to evolve. In her work, real phenomena metamorphose into poetic organisms. Her subjects become flows of consciousness that border on the supernatural and come close to the grotesque. In addition to her two-dimensional work on canvas and paper, the artist also uses this latter support to contort colour surfaces in space, transforming their state and that of their medium.

  • Christoph Dahlhausen
    Christoph Dahlhausen
    Bonn, Germany

    Dahlhausen, born 1960, is a fine artist and curator based in Bonn (GER) and Melbourne (AUS). From 2013 to 2019, he was an Adjunct Professor of Fine Art at the School of Art, RMIT University, Melbourne. Dahlhausen runs Raum2810, a space for international contemporary art in Bonn. He has realised installations and exhibitions in Europe, America, South America, as well as in Australia and New Zealand. 


    The current exhibition WestFarbe started as a travelling exhibition in 2016 across three museum and art space venues in Germany, such as Raum2810 in Bonn, Museum Gelsenkirchen and Stadtmuseum Siegburg.


    WestFarbe is curated by Christoph Dahlhausen.

    Web site
  • David Thomas
    David Thomas
    Melbourne, Australia

    David Thomas (born in Belfast N. Ireland) lives and works in Melbourne, Australia, he studied at Melbourne, Monash and RMIT Universities and holds a PhD from RMIT. His work explores the contemplative function of painting, photopainting and installation, in particular how new iterations of the monochrome tradition can address  the perception of time and space, complexity, impermanence, knowing and feeling. 


    His work is held in numerous private and public collections including: National Gallery of Victoria, Melbourne, Australia; Australian National Gallery, Canberra, Australia; and the Chartwell Collection, Auckland Art Gallery, New Zealand.

    He exhibits widely in Australia, Asia-Pacific and Europe.

     

    Web site
  • Frank Piasta
    Frank Piasta
    Freiberg, Germany

    Frank Piasta began his studies under Gotthard Graubner at the Art Academy in Düsseldorf, continuing, after 1996, at the Academy of Arts in Berlin under Kuno Gonschior. Encouraged by these two teachers, he followed their example of abandoning traditional panel painting. By employing unusual mediums and tools not yet grown stale by use, he was able to find his own independent artistic direction and to wrest new possibilities of expression from the métier. Contrasting with Graubner's voluminous expanses of color and Gonschior's thick application of paint, frequently without the use of the traditional brush, Frank Piasta creates works whose layered silicon lends them both a corporeal materiality and a nuanced coloring.

    Web site
  • Helen Calder
    Helen Calder
    Christchurch, NZ

    Helen Calder is a painter based in Ōtautahi Christchurch, she holds a Masters of Fine Arts from the University of Canterbury. Calder’s practice is a continual exploration of the properties and limits of paint as a material. She pushes the medium beyond its traditional form supported by canvas and panel, to create three-dimensional works that hang, puddle and fold both on and off the wall. 


    Calder has works held in New Zealand private and public collections including the Museum of New Zealand Te Papa Tongarewa and Christchurch Art Gallery. She is represented by Nadene Milne Gallery (Arrowtown and Ōtautahi) and, Bartley and Company (Pōneke Wellington).

    Web site
  • Judy Darragh
    Judy Darragh
    Auckland, NZ

    Judy Darragh is a prolific New Zealand artist renowned for her brightly coloured sculptural assemblages of found objects, recycled items, industrial materials, collage, photography, video, and poster art. Emerging as an artist during the 1980s era of conspicuous consumption, Darragh’s work displayed a fondness for everyday objects and played with our views of material consumerism. 

    ‘Kitsch’ and a strong association with localised nostalgia is at the essence of Darragh’s work. Her assemblages appear as structurally makeshift piles of ‘materials’, incorporating elements ranging from bottles, glassware and plastic to corks, feathers, tikis, beads, paint, flowers, paua and cake tins. It is this mass of media that form the basis of her two dimensional and three dimensional installations.

     

     

    Web site
  • Katharina Grosse
    Katharina Grosse
    Berlin, Germany

    Katharina Grosse (b. 2 October 1961) is a German artist. Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences.

    She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.

    Web site
  • Leigh Martin
    Leigh Martin
    Auckland, NZ

    Born in Hamilton New Zealand, Martin gained a Bachelor of Fine ArtsHons in Drawing and Painting, Glasgow School of Fine Arts, Glasgow, Scotland in 1993. In 2013 he gained a master’s degree in Art & Design (1st Class Honours) at Auckland Institute of Technology.

    He has been a Tutor and lecturer at the Elam School of Fine Arts, Auckland, NZ, the University of technology, Auckland, New Zealand and the School of Fine Art, Unitec, Auckland, New Zealand. His work is held in both private and public collections including, Chartwell Collection, Auckland Art Gallery—Toi o Tamaki, New Zealand, James Wallace Collection, Auckland, New Zealand and the Fletcher Collection, Auckland, New Zealand.

    Web site
  • Marcia Hafif
    Marcia Hafif
    United States

    Marcia Hafif (b. 1929 - 2018) was an American artist known for her painted explorations of materiality and the perception of color. Hafif’s monochromes probed the formal components of the medium while also tethering those concerns to an outside motif. “The subject can be anything from designing a museum to the writing of foreign calligraphy, from naming weeds to making ice in the desert using cold night winds,” she once explained. “For me they are all experiments for the purpose of seeing more closely.” 

    The artist’s works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the Museum of Contemporary Art in Los Angeles, among others.

     

     

    Web site
  • Noel Ivanoff
    Noel Ivanoff
    Auckland, NZ

    Noel Ivanoff (b. 1963 Lower Hutt, Aotearoa) completed a Diploma in Fine art at Dunedin School of Art 1984, a certificate in advanced studies (postgraduate) at St Martins School of Art in London (1986) and MFA (1st class honours) at Elam School of Fine Arts (1999). 

    Ivanoff focuses on the structures and supports on which paintings are made, locating his work in contemporary discourse concerning the three dimensionality of painting. Ivanoff has exhibited widely in New Zealand, The UK, Europe, Japan and Australia.  Works by Noel Ivanoff are held in the The Chartwell Trust Collection, the Fletcher Trust Collection and the James Wallace Arts trust Collection. Noel is a Senior Lecturer at Whitecliffe College where he taught since 1995.

     

     

    Web site
  • Renee Cosgrove
    Renee Cosgrove
    Melbourne, Australia

    Renee Cosgrave is a Narrm (Melbourne) based artist from Aotearoa of Irish, Scottish and Māori descent of the Ngāti Tūwharetoa iwi. Her practice investigates abstract painting, repetition, colour, place, culture and wairua. Renee was the recipient of the 2019 MECCA M-Power National Gallery of Victoria Arts Mentoring Grant.

    Web site
  • Simon Morris
    Simon Morris
    Wellington, NZ

    Simon Morris is based in Wellington, where he lectures in painting at Whiti O Rehua School of Art, Massey University.

    Over the course of his career Morris has skilfully developed an ongoing investigation into the perception of space, time and action which he explores through their representation in visual systems. Concerned with the possibilities that surface from self-imposed restraints on structure, materials and process, his diverse painting practice extends to site responsive wall painting and architectural collaborations that includes two major collaborations with Athfield Architects completing Rainscreen for The Dowse Art Museum, followed by Light in Space, and Space in Light commissioned by Otago University (2007).

    Web site
  • Winston Roeth
    Winston Roeth
    United States

    Winston Roeth paints monochrome or two-toned panels on supports that range from slate, dibond, and honeycomb, to MDF and raw cedar, often combining them to form grids or rows of panels in various different colors.

    Working in raw pigment and tempera medium, Roeth layers his paint into dense matte surfaces, sometimes painting the contour of a work in a contrasting color. He begins by sketching and organizing his ideas in “Desktop Drawings,” graphite and ink drawings on graph paper. “I use the drawing primarily as a compositional tool, especially when I’m organizing a grid, which presents so many variables within such a simple form,” he has said. “I can measure out a painting in front of my eyes using a desktop drawing.”

    Web site
André Hemer
Vienna, Austria

André Hemer is a New Zealand born, Vienna based painter. He holds a Master of Fine Arts from the University of Canterbury and PhD in Fine Arts at the University of Sydney. He coined the term 'new representation' to capture what his painting is doing with its integration of the digital with dynamic and sensuous and layering of spray paint, oil and acrylic with thick impasto.

 

Hemer is represented by galleries in London, Berlin, New York, Los Angeles, Singapore, Sydney, Auckland and Wellington. 

 

View artwork
Callum Innes
Edinburgh, Scotland

Callum Innes (b. 1962) studied at Gray's School of Art, Aberdeen and Edinburgh College of Art. Innes was short-listed for the Turner and Jerwood Prizes in 1995, won the prestigious NatWest Prize for Painting in 1998, and in 2002 was awarded the Jerwood Prize for Painting. He has exhibited internationally and his work is held in public collections worldwide including the Guggenheim, New York; National Gallery of Australia; TATE, London, and Scottish National Gallery of Modern Art. From Memory, a major exhibition of Callum Innes' work over the past 15 years, was shown at The Fruitmarket Gallery, Edinburgh in 2006 and toured Modern Art Oxford, and the Museum of Contemporary Art, Sydney.

View artwork
Christine Reifenberger
Cologne, Germany

Born in 1964 in Waldsassen, she lives and works in Cologne, Germany. Christine Reifenberger’s painting causes forms, contours and figurative lines to evolve. In her work, real phenomena metamorphose into poetic organisms. Her subjects become flows of consciousness that border on the supernatural and come close to the grotesque. In addition to her two-dimensional work on canvas and paper, the artist also uses this latter support to contort colour surfaces in space, transforming their state and that of their medium.

View artwork
Christoph Dahlhausen
Bonn, Germany

Dahlhausen, born 1960, is a fine artist and curator based in Bonn (GER) and Melbourne (AUS). From 2013 to 2019, he was an Adjunct Professor of Fine Art at the School of Art, RMIT University, Melbourne. Dahlhausen runs Raum2810, a space for international contemporary art in Bonn. He has realised installations and exhibitions in Europe, America, South America, as well as in Australia and New Zealand. 


The current exhibition WestFarbe started as a travelling exhibition in 2016 across three museum and art space venues in Germany, such as Raum2810 in Bonn, Museum Gelsenkirchen and Stadtmuseum Siegburg.


WestFarbe is curated by Christoph Dahlhausen.

View artwork
David Thomas
Melbourne, Australia

David Thomas (born in Belfast N. Ireland) lives and works in Melbourne, Australia, he studied at Melbourne, Monash and RMIT Universities and holds a PhD from RMIT. His work explores the contemplative function of painting, photopainting and installation, in particular how new iterations of the monochrome tradition can address  the perception of time and space, complexity, impermanence, knowing and feeling. 


His work is held in numerous private and public collections including: National Gallery of Victoria, Melbourne, Australia; Australian National Gallery, Canberra, Australia; and the Chartwell Collection, Auckland Art Gallery, New Zealand.

He exhibits widely in Australia, Asia-Pacific and Europe.

 

View artwork
Frank Piasta
Freiberg, Germany

Frank Piasta began his studies under Gotthard Graubner at the Art Academy in Düsseldorf, continuing, after 1996, at the Academy of Arts in Berlin under Kuno Gonschior. Encouraged by these two teachers, he followed their example of abandoning traditional panel painting. By employing unusual mediums and tools not yet grown stale by use, he was able to find his own independent artistic direction and to wrest new possibilities of expression from the métier. Contrasting with Graubner's voluminous expanses of color and Gonschior's thick application of paint, frequently without the use of the traditional brush, Frank Piasta creates works whose layered silicon lends them both a corporeal materiality and a nuanced coloring.

View artwork
Helen Calder
Christchurch, NZ

Helen Calder is a painter based in Ōtautahi Christchurch, she holds a Masters of Fine Arts from the University of Canterbury. Calder’s practice is a continual exploration of the properties and limits of paint as a material. She pushes the medium beyond its traditional form supported by canvas and panel, to create three-dimensional works that hang, puddle and fold both on and off the wall. 


Calder has works held in New Zealand private and public collections including the Museum of New Zealand Te Papa Tongarewa and Christchurch Art Gallery. She is represented by Nadene Milne Gallery (Arrowtown and Ōtautahi) and, Bartley and Company (Pōneke Wellington).

View artwork
Judy Darragh
Auckland, NZ

Judy Darragh is a prolific New Zealand artist renowned for her brightly coloured sculptural assemblages of found objects, recycled items, industrial materials, collage, photography, video, and poster art. Emerging as an artist during the 1980s era of conspicuous consumption, Darragh’s work displayed a fondness for everyday objects and played with our views of material consumerism. 

‘Kitsch’ and a strong association with localised nostalgia is at the essence of Darragh’s work. Her assemblages appear as structurally makeshift piles of ‘materials’, incorporating elements ranging from bottles, glassware and plastic to corks, feathers, tikis, beads, paint, flowers, paua and cake tins. It is this mass of media that form the basis of her two dimensional and three dimensional installations.

 

 

View artwork
Katharina Grosse
Berlin, Germany

Katharina Grosse (b. 2 October 1961) is a German artist. Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences.

She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.

View artwork
Leigh Martin
Auckland, NZ

Born in Hamilton New Zealand, Martin gained a Bachelor of Fine ArtsHons in Drawing and Painting, Glasgow School of Fine Arts, Glasgow, Scotland in 1993. In 2013 he gained a master’s degree in Art & Design (1st Class Honours) at Auckland Institute of Technology.

He has been a Tutor and lecturer at the Elam School of Fine Arts, Auckland, NZ, the University of technology, Auckland, New Zealand and the School of Fine Art, Unitec, Auckland, New Zealand. His work is held in both private and public collections including, Chartwell Collection, Auckland Art Gallery—Toi o Tamaki, New Zealand, James Wallace Collection, Auckland, New Zealand and the Fletcher Collection, Auckland, New Zealand.

View artwork
Marcia Hafif
United States

Marcia Hafif (b. 1929 - 2018) was an American artist known for her painted explorations of materiality and the perception of color. Hafif’s monochromes probed the formal components of the medium while also tethering those concerns to an outside motif. “The subject can be anything from designing a museum to the writing of foreign calligraphy, from naming weeds to making ice in the desert using cold night winds,” she once explained. “For me they are all experiments for the purpose of seeing more closely.” 

The artist’s works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the Museum of Contemporary Art in Los Angeles, among others.

 

 

View artwork
Noel Ivanoff
Auckland, NZ

Noel Ivanoff (b. 1963 Lower Hutt, Aotearoa) completed a Diploma in Fine art at Dunedin School of Art 1984, a certificate in advanced studies (postgraduate) at St Martins School of Art in London (1986) and MFA (1st class honours) at Elam School of Fine Arts (1999). 

Ivanoff focuses on the structures and supports on which paintings are made, locating his work in contemporary discourse concerning the three dimensionality of painting. Ivanoff has exhibited widely in New Zealand, The UK, Europe, Japan and Australia.  Works by Noel Ivanoff are held in the The Chartwell Trust Collection, the Fletcher Trust Collection and the James Wallace Arts trust Collection. Noel is a Senior Lecturer at Whitecliffe College where he taught since 1995.

 

 

View artwork
Renee Cosgrove
Melbourne, Australia

Renee Cosgrave is a Narrm (Melbourne) based artist from Aotearoa of Irish, Scottish and Māori descent of the Ngāti Tūwharetoa iwi. Her practice investigates abstract painting, repetition, colour, place, culture and wairua. Renee was the recipient of the 2019 MECCA M-Power National Gallery of Victoria Arts Mentoring Grant.

View artwork
Simon Morris
Wellington, NZ

Simon Morris is based in Wellington, where he lectures in painting at Whiti O Rehua School of Art, Massey University.

Over the course of his career Morris has skilfully developed an ongoing investigation into the perception of space, time and action which he explores through their representation in visual systems. Concerned with the possibilities that surface from self-imposed restraints on structure, materials and process, his diverse painting practice extends to site responsive wall painting and architectural collaborations that includes two major collaborations with Athfield Architects completing Rainscreen for The Dowse Art Museum, followed by Light in Space, and Space in Light commissioned by Otago University (2007).

View artwork
Winston Roeth
United States

Winston Roeth paints monochrome or two-toned panels on supports that range from slate, dibond, and honeycomb, to MDF and raw cedar, often combining them to form grids or rows of panels in various different colors.

Working in raw pigment and tempera medium, Roeth layers his paint into dense matte surfaces, sometimes painting the contour of a work in a contrasting color. He begins by sketching and organizing his ideas in “Desktop Drawings,” graphite and ink drawings on graph paper. “I use the drawing primarily as a compositional tool, especially when I’m organizing a grid, which presents so many variables within such a simple form,” he has said. “I can measure out a painting in front of my eyes using a desktop drawing.”

View artwork
Bodies Wall, 2017-2020, Christoph Dahlhausen
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Bodies Blues Edition, 2020, Christoph Dahlhausen
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Car paint on aluminium honeycomb panel

Please click here for an interview with artist and Westfarbe curator, Christoph Dahlhausen.

 



 

Yellow Blue Red Black, 2018, Helen Calder
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Water-based enamel and silicon cord


Collection of Christchurch Art Gallery Te Puna o Waiwhetu

Cork, acrylic paint and stainless steel pins

Cork, acrylic paint and stainless steel pins

SWARM, 2009, Judy Darragh
More about this artwork

Corks, paint and wire


Courtesy of Two Rooms Gallery

Day Painting #3, 2018, André Hemer
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Acrylic and pigment on canvas


Courtesy of the Art Lover Collection

Green Watercolour, 2014, Simon Morris
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Acrylic on canvas


Courtesy of Two Rooms Gallery

Movement of Grey & Movement of Colour, 2018, David Thomas
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Acrylic on gesso on panel

Rose, 1994, Marcia Hafif
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Oil on canvas


Private collection

Untitled, 1981, Callum Innes
More about this artwork

Shellac on linen


Private collection

Renee, 2018, Renee Cosgrove
More about this artwork

Oil on linen


Courtesy of Two Rooms Gallery

Monoprint - Deep Red/Pink #1, 2018, Noel Ivanoff
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Oil on plywood panel


Courtesy of Two Rooms Gallery

Pink, 2018, David Thomas
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Acrylic on gesso on panel

blank volume 2.24, 2014, Frank Piasta
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Silicone, pigment and glass

(Left)

(Left)

Untitled, 2001, Katharina Grosse
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(Left)


Acrylic on aluminium


Private collection

Robe, 2016, Christine Reifenberger
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Egg tempera on paper

Polychrome, 2016, Helen Calder
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(Right)

(Right)

Movement of Colour Black Painting Oneself Out of a Corner (Romanesque Wall Painting), 2019, David Thomas
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Acrylic over digital photograph on phototex

(Left)

(Left)

Dark Orange Line 53 Minutes, 2007, Simon Morris
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Acrylic on canvas


Colllection of Quita & Graeme McNally

Muse, 2017, Winston Roeth
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Courtesy Fox Jensen McCrory Gallery

Lines, 2017, Renee Cosgrove
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Oil on linen


Courtesy of Two Rooms Gallery

Colour order 4, 2015, Simon Morris
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Acrylic on canvas


Courtesy of Two Rooms Gallery

Bodies, 2019, Christoph Dahlhausen
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Car paint on aluminium honeycomb panel

(Floor work)

(Floor work)

Fuzzy, 2020, Frank Piasta
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(Floor)


Silicone and pigment

48 fl.oz. Black, 2020, Helen Calder
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Silicone and pigment

Levigation, 2020, Noel Ivanoff
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Acrylic on dacron


Courtesy of Two Rooms Gallery

Untitled, 2001, Katharina Grosse
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Acrylic on aluminium


Private collection

o.T., 2010, Christine Reifenberger
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Egg tempera on paper

Day painting #4 evening, 2018, André Hemer
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Acrylic and pigment on canvas


Courtesy of the Art Lovers Collection

Slider White - Prototype, 2014, Noel Ivanoff
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Oil on aluminium panel


Courtesy of Two Rooms Gallery


 

Untitled, 2009, Leigh Martin
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Pigmented resin on wood


Collection of Christchurch Art Gallery Te Puna o Waiwhetu

Untitled, 2018, Christine Reifenberger
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Egg tempera on paper